The catch to the hidden door

This is really so simple. You could have a statue which flips or pivots or anything you want, but I chose a book. Here’s how it works:

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The books around it have no purpose other than to keep the hinged book company, they are loose and just sit there.

I had to add a block of wood to stop the gate latch from going too far back or it wouldn’t close automatically. It’s not the prettiest but it works beautifully. I first tried to add a bracket on top as a stopper, but it had no effect at all. The book has a tiny hinge attached.

Plywood walls

The last room to be fixed up is nearing completion! It has been a long time coming but I am in no hurry. There seems to be a fashion to put plywood on walls at the moment. Bare and raw, that is. Though I have no intention of having raw ply anywhere I find it a useful material. These walls are ply top to bottom. I added 90mm pine framework with carefully cut quad as a trim on the bottom half of the walls, and glued hessian to the top part. Is it a good idea to glue hessian on your walls? Definitely. Is it hard? Absolutely. I used plenty of Aquadhere to make it stick, but still it bubbled and wrinkled. If it looks good when you do it but return the next day to find bubbles aplenty, just briskly brush on water and more glue and it will flatten out. Because of how heavy it is you will need to tack it at the edges to stop it from falling down until it dries. Some persistent bubbles I tacked flat also to keep them down.

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The hessian will give a nice texture. I wanted to paint mine like wallpaper so I had to give it three liberal coats of paint first. I can assure you that hessian is a thirsty beast to paint, so I went to the recycling station and picked up several free leftover paint tins to completely seal the hessian before I painted the base coat I wanted for colour.

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I used acrylic paints for everything but the white flowers, house paint was fine for them. Basically you could do whatever you wanted, stripes was an idea I had at first before I realised how hard it was to glue the hessian totally straight. With the weave being so coarse it would be very visible if my stripes went over the lines. Hence organic lines and shapes. Nobody will notice a crooked line if everything is crooked already. It takes quite some time to do all the flowers and leaves so I work on all the walls at the same time, adding a little all over. This way, as your style changes subtly over the course of the work it will change evenly. The plywood at the bottom half of the walls is getting a woodgrain effect. This has to be the easiest and quickest effect I know. One undercoat to seal the ply, lightly sanded, one coat colour (I used Raw Umber) and one coat of Walnut stain and varnish in one. There are more complicated and more convincing ways to do it but I am pretty happy with this rapid way for large scale covering. Brush on the coloured varnish with a bad streaky brush, comb it with a graining comb, brush again to soften, distress it a bit, soften again, move on. You have to work very quickly if you use a waterbased varnish, a few minutes and it is starting to set. If you can paint badly, you can woodgrain. It is all about being uneven!

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Some more flowers added and more woodgrain. There is a secret door in this room. If you move the first of the standing books the door will open. That standing book is a gift, given to me by past guests. Thank you very much. I really appreciated your kind contribution and I hope you see this blog entry! The book is actually a vintage metal book safe. Any book can of course be used but I felt this was a sturdy and attractive option.

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The door is an ordinary flat hollow-core door, like this:

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Add bits of wood like this. You can’t buy a ready fireplace unfortunately because they will never be that narrow. Unless your door is enormous, of course. Having a good saw is essential for presicion cutting.

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Add paint. I undercoated the fire part with gesso, and painted the bricks and shadow with oilpaint. This is a fun idea I used once before, I loved it so much I just needed to do it again. There is something about hidden doors which appeals to many people. Bookshelves, woodpanelling, fireplaces. Anything.

A thing to think about is not to paint flames if you want it to look more realistic. Not because you cannot paint flames, but because the eye needs the flames to move. Bricks or tiles are easy because we expect nothing further from them than to be simply what they are. But flames, we need them to crackle, move, smell. So we are not deceived.

Incidentally, did you know plywood was patented in 1797 by a British naval engineer called Samuel Bentham? Fifty years later the father of Alfred Nobel made it better and stronger and more easy to make by using a rotary lathe to peel the wood in the thin skins needed and laminating them in threes. By 1865 plywood reached America and industrial production began. I used to think of it as a modern material, but it isn’t really.

 

Model landscape much later

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Have finally made it to installing the landscape I started in November over a year ago. No rush. A lesson I have now learnt is not to make it so big that I can’t reach the back wall without climbing into it. Or at least make more room in the centre so I have somewhere to stand. As it were I had to crouch with a toe on each side of a little island, feeling like Gulliver. ”…the said Man-Mountain shall have a daily allowance of meat and drink sufficient for the support of 1728 of our subjects.” Man-Mountain! That’s me.

The landscape is in two halves which had to be joined and finished (still not done with that) and then given a ceiling of clear stiff plastic. I gave it two layers of plastic with wadded insulation inbetween, creating a flat sky which could still be cleaned from the outside. But when I looked at it from the inside it looked too square, with visible edges so I glued wispy bits of insulation hanging down. This worked very well, and to my surprise catches the daylight in surprising ways, like this:

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So why this landscape and is there a point? Good question. I was given a round window from someone and could think of no better use for it than to build a large landscape in a wall, lit from above by daylight and lamplight by night. Just realise the actual window is not in the shot, it will come later. No, there is not much point apart from the fact that it is a peaceful scene where little of note happens. You can look at it for some time and discover detail, people, animals, houses. It is purely for pleasure.

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My next problem is going to be the framing, but no rush here either. The year is young.

Miniature landscape, again…

Seems I can’t get enough. I am now in the process of making my biggest landscape yet, 1,4m wide, 1,5m deep and 1,2m high. It will be attached on the outside of a viewless window, creating an illusion of something else altogether. Maybe a hint of Norway in the autumn? I made the base in two sections, otherwise they would not fit through doorways. I glued primed canvas to the walls, bending the corners slightly so as not to get sharp ”sky corners”. It will all make sense soon.

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Next I started to build up the landscape. I needed a lot of height, so mountains are the way to go. Boxes and chicken wire, covered in papier mache. The angled sticks are there to keep the front half square, as there is no back or front to that piece it is a little unstable until installed. fjord 26

I nailed the chickenwire as much as I could into place. The chickenwire is old and recycled, hence bits of leaf and grass!

fjord 25The basic shape is starting to appear. I am not really controlling it, just kind of letting it happen. I am aiming for a coastline with an island in the foreground, with lots of interesting detail. fjord 1I am painting the sky in oils, it is still waiting for more work but has to dry between layers. I can see now that I should have made the corners even more turned, but at least there is not a sharp edge. Too late! Never mind.

To make the rock, I mixed some old lumpy cement with water and Aquadhere (ordinary wood glue) and slapped it on. You could also use old tile glue, or similar. Things people have in their sheds… Here, I have also started making the bases for a couple of houses and bridges.fjord 54

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Looks like a load of rubbish so far, but wait! In order to give the rock some interest, I painted with the tiniest bit of paint on a dry brush. Just brush down with white for highlights, rub in some green and yellow for moss and lichen. A little brown maybe. Then, I painted on some wood glue and  sprinkled on some powdery modelling substances made to resemble grass, soil, or a combination.

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I am planning where the water will run down the rock, and laying down some mossy green in anticipation.

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The little house on the island is nearly done. The house is a plastic kit which I painted, rendered the chimney with caulking, and sprinkled on a grass roof. It had no windows so I put on cardboard shutters, giving the illusion that it has, hopefully.

fjord 50fjord4fjord11I have since removed the bird on the chimney and added smoke instead.

The grass roof is made with static grass and a Noch applicator. You can buy electric applicators for around $300 or so, but this works really well enough for my needs. Put some ”grass” in the bottle, shake for static, and puff it out on a bed of Aquadhere. It will land in the glue and set upright, more or less. When it’s dry, vacuum and the grass which landed where there is no glue will disappear. I use it on the ground too. Sometimes I sprinkle some earth powder on top to tone it down a bit.

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Here is another grass roof, with added longer bits from an old paintbrush head. I roughed the roof up a bit, was too smooth and even. Needs weeds and things.fjord 13

The trees are made from recycled copper wire. They are really easy to make. You can buy ready trees of all kinds, but I didn’t want anything readymade if I could do it myself. The houses, people, animals and fences are my limit. Trees? Piece of cake. Some cables have copper inside them, others not. This is why it is a good idea for recycling stations to strip all mechanical objects of metals. Why put copper into landfill when it can be reused? And they do. The local tip here in Daylesford has people stripping metal from things, sorting and making rather a neat job of it.

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Birches in autumn, yellow! The gravel is earthpowder and cooking salt. The stonewall is actual stones from the laneway outside my house, caulking and paint. The plastic house I fought with a lot, it was just so horribly plastic. I weathered the roof, rendered the walls, stuck flowerboxes and lupins and climbers all over it. Finished with an overhanging tree.fjord 48

It has a barn and a woodshed. The lupins are tiny pieces of wire, covered with superglue and flocking, painted. I have to admit that I am having a lot of fun, almost sorry that I am close to finishing.

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The pine trees are the easiest. I have seen people make extremely realistic and laborious trees, but these are fine for my scene. Wooden skewer, steel wool, fragment of scourer to act as a stopper.fjord 34

Spraypaint the trees black. fjord 35

Spray with glue, sprinkle with turf. I use a mix of green and soil colour to get lighter and darker trees. Products from Woodland Scenics. So useful for many things.

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To plant the tree, I hand drill with a fat screw. The cement gets much too hard to push a tree through.fjord 39Ready for planting. The back half has over 50 pines, haven’t counted the front.

fjord 46Hooray! My packet of Noch horse riders arrived in the post. I am also going to get a spring of seals, a brace of deer and a gang of moose. And a rowing boat. And And And… No, that should do it.fjord 40Nicely made figures, but why does that girl have to hold her arms up? At first I thought I would put a bear in her path so she would have a real reason. Then I considered cutting her arms off and regluing them in a down position but then I decided to just let it be. They are so far in the background. People are going to see trail riders, and not think more about it.fjord 32

I put some stairs and a cliff hanging path on one of the mountains. The birds are so small they are really a bit of a waste of time. I held one with the tweezers, and PING it flew away into the room, never to be seen again. The rest I held less tightly.

Making heather is easy. Just a dab of paint brushed on some clumpy foliage, I bought a bag. It lasts and lasts, good for many things. Treated lichen is great too.

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Made a couple of bridges from planks out of thin cardboard (cereal box is ideal), glued and painted on masonite. Or thick card. Whatever. Just Right!

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Though I had squirted some acrylic gloss medium for water dribbles here and there, I also wanted some water which flowed away from the rockface, like this:fjord 55

This was surprisingly easy. I squeezed out some ordinary silicon on grease proof paper, moved it around a bit with a toothpick, added tiny bits of white, also with the toothpick and let it set.fjord 59

Peel it off and glue in place, add a little silicon around it to make some water action happen. Bits of white paint work well for froth and foam.fjord 57fjord 56fjord 60

That is all I am going to do for now, will give it a rest and work on something else for a whil. It will be quite a long time before I can install it, but I don’t mind doing detail first and bigger things later. I once built a house which I started making from the inside of a two bedroom apartment. French doors, ceiling paintings, details galore. It all came to use eventually, and by then it was a pleasant thing to be able to add detail so effortlessly. I have absolutely loved making this view, if you feel in any way inspired, I can wholeheartedly recommend making one!

 

 

Room with(out) a view

What do you do with a wall without views? You paint some, of course. The ones in the picture above are just that. I find we see what we are expecting to see, so at a quick glance you simply assume these are real views through actual windows.

First, this was just a blank wall, no views, not even a window. I want views, however, and there are none behind the wall so I painted some on masonite.

fake view15Then I nailed my pictures to the wall. If you want to do your own, there’s info on how to paint a simple, fast and reasonably convincing landscape  further down. You could use a photo too, but I prefer paintings.

Add some strips of wood to rest the window on.

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Screw window into place. Looking better by the minute!

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Add timber to build up the right levels, then stick on some architrave to match the rest of the room.

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HOW TO PAINT EASY GARDEN VIEWS

To make my views I used masonite, rough side up. Five coats of gesso first, goes on quickly and primes the thirsty masonite wonderfully well.  Do not use undercoat, not good enough!fake view10I paint in oils, which is slow to dry between coats but nice to work with. First I roughed in where the sky will be. I used White, Payne’s Grey and Ultramarine mixed in with some medium to make the paint flow.

fake view11I was aiming for a sky which portrays no special season, just a dull plain sky. Fortunately you can’t see much sky from the real windows either so you will not be able to make a too obvious comparison, hopefully. It is all leaf.fake view12Next I blocked in the green mass. I used Black and Viridian, more medium. I didn’t mix on my palette, rather on the painting itself. Swirl and splash, rough and lively! Here are the two, they are the same, just bad light. The green mass has lots of variety in shade, but again, bad pic loses the detail.

fake view6fake view5The treetrunks are next, for this first layer I used Black and Vandyke Brown. Let it dry before adding leaves, or it will be a mess.      fake view7Add leaves of whatever kind, I am using the same leaves which are seen through the real windows.

fake view8I also added some flowers, this spot is so dark nothing would bloom there in real life but anything is possible in paint! If you want something, paint it. Oil makes flower painting a breeze. Just load a brush with paint and dab it on. It will look like a flower all by itself. I tend not to mix too much on the palette, but add more than one colour to the brush and it just does its flower thing.fake view2A crop of berries, not related to the tree itself but that’s ok.

fake view3Hydrangeas! Or something white and fluffy anyway.

fake viewWhen the paint has dried, you can add more shape and shade to the leaves and the whole scene. Keep building the layers until you are happy. Veins on leaves are good but certainly not necessary. You could go super realistic, or just give a general idea.fake view4Done.

More tiled Ortelius

The bathroom will now be a place where you can lie and journey to places which indeed exist but not in our time. A time when Papua New Guinea was massively out of proportion, when ships were firing cannons at each other (oh, wait, they still do), when the Suez Canal had not yet been dug, and strange sea creatures surrounded Iceland. Magellan had just failed to return on his journey on the Victoria, pictured below. Or rather, the Victoria returned with all the information, but Magellan himself didn’t. You can’t have everything. The imagined coastline of Terra Australis in yellow underneath the Victoria, which connected with Tierra del Fuego in South America. Of course.

maptiles5iceland iceland2 iceland3There are explanaitons covering Iceland and it is needed. Such a complex place, with danger in volcanoes, poral bears on icefloes, animals which will kill you if you eat them, glaciers, seacows. Rudimentary knowledge of latin helps here. Pour more hot water in the bath, the perpetual nives is making me cold!

And no, I haven’t made any of it up. It is all a gridded copy of Abraham Ortelius maps, with maybe just a little rearranging of ships to fit, and cropping. The little fat thing with horns below, for instance. I take no responsibility, blame Ortelius. It is possible that I am repeating myself, I have written about the maps before and it will probably not be the last time either.

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Totally uninteresting

Over the last couple of years I have been gradually tackling the laundry. It is such an unimportant area for guests, as no one has any reason to go in there. Totally uninteresting. This is just as well, considering the huge mess it has been in. I am now thrilled to say it is showing a marked improvement. When you have reached the point of supergluing lambs to the walls, you know you are near the end, right? laundry2 I am extremely hard to please when it comes to furniture. I have been pouring over Ebay listings of chests of drawers for absolutely ages, and finally found one which I could buy though it needed a bit of work. Here it is, done. Great laundry storage, an Edwardian piece in pretty good nick. I painted the floor every second board white, every second board black. Yes, it will wear and scuff but will only improve. My friend the butler gave me an old wooden compartment thingy, here it is, screwed to the laundry wall. I think it shows just how tidy the laundry will become, and remain! laundry3I also have a beautiful ship on windowledge. It is in case the sheep needs to go somewhere (hard when you are glued to the wall, but all the same…)

laundry4Still, I am the only one who will use it, but if I can get some sort of pleasure from laundry and cleaning products, so much better. Why waste an opportunity to make a room more attractive? Why ignore the laundry? These are the Big Questions.

Bath & hall

I have been busy. Also, I have been excruciatingly slow, but in the end, I think it was worth it. I now only have a few minor things to do before the bathtub is complete. For now, here is a tiny preview. The gargoyle spout is a glazed ceramic head I have named Mr Tumnus, because he really does look like him. I made three heads when I was on the go, one was particularily fetching and rather looked like President Nixon. He actually exploded in the kiln during firing, breaking a number of things as he went. When you fire handbuilt stuff, any air bubbles trapped in the dried clay can have that effect. Shattering with violence. So, no Nixon for me. The third is installed in the wall of the library as the exit point for the speaking tube, below. bathtub3The speaking tube caused me massive trouble. The pipes are laid under the floor and once it is in, it is in and can’t be changed without enormous trouble. Too much trouble. Hence, I have been standing in the hardware plumbing department speaking into different pipes asking the staff ”Can you hear better with this? Or this?” I have had no answers. In the end I went with polypipe of maybe an inch diameter. Que sera. Well, it is now in and I can declare that it works, but you have to speak up. Your voice will appear in the library, sounding like you are sitting in a padded box.

speaking tubeI had guests test it. You can say things like ”GIVE ME ANOTHER DRINK” or even ”TURN THE RECORD OVER”. There is a turntable just outside the wall, as I will soon demonstrate. The tiles are copies of Ortelius maps, with the gargoyle sitting right on the text for Terra Australis and its vague, loosely imagined coastline. Can’t get enough maps, especially medieval ones. bathtub4I am also thrilled to have a new lamp in operation. Wiring! Plumbing! The bliss of a modern world, even if the tiled maps date back to the 1500’s. bathtub2Here is where the record player sound will come. The recordplayer was a gift from a friend, along with the vinyl collection. Hence it is a little one sided but I might add to it in time. Gloria Gaynor! Village People! Can’t stop the music… The other side of this wall is a little hallway, where I have now built a shelf for things like Gloria Gaynor, Inez Jacobsen wellies (do go for a walk in the rain) and my father’s fez which he aquired in Egypt many years ago.hall3Since we have now left the bathroom for the hall, here is the butler who is most helpful with your every wish, as long as that wish is to hold your umbrella. Today I bought him a hat, but he will graciously let you borrow it. His name is James, after a friend with whom he has a resemblance. Incidentally, the very same friend who gave me the records. hall2Close up of his hand. I carved it out of construction pine, 90×45 and stuck a hinge at the elbow.

butler1I went hat shopping at Upstairs at Alpha, which is on Vincent Street. They sell new and vintage, mixed. Always something exciting to find. The bowler was not enough, I also picked up the black and white number below. Stylish, handsome! Maybe even a little suave. hallWhilst I was building the shelves, I also added a little seat where the kindling basket can live. Cushions from Sweden. hall4

A miniature landscape version 2

Fast forward several months from whenever I posted the image of pinetrees stuck in foam. I am done with the miniatures for now. I have a built in set of old metal lockers in the bathroom. There are three, two are landscapes, sort of. The third locker is just for general storage. Bath salts. There is a plexiglass cover at the front of the landscapes.

miniature 7Here is the top landscape, hard to see and needs a better picture really. The rock is sitting in a pool of resin resembling water, reflecting the dalmatian. Clouds are 3D. They are really not very great at all, but I have thrown my hands in the air at this miniature now and am leaving it alone. Here they are.

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They are painted in the background, and fluffy in the air. Well, that was the idea anyway. Basically I just teased out some insulation and glued it into place.

The second miniature I have put a lot of glorious time into. I loved every minute.

miniature 1My initial idea was to place a tiny white dog on a bald rock, turning his back on the audience. Tall dark trees, a light covering of snow. Solitary, but not lonely. As it turned out, I came across some tiny sheep and used them instead so now the point is entirely lost. It is sheep, looking into the frozen waterfall. Means whatever you want it to mean. Cold sheep?

miniature 4miniature 2The frozen waterfall. It is really layers of squeezed on acrylic gloss medium. I want to cover the world in acrylic gloss medium. Well, nothing could be further from the truth but it provided me with hours of amusement.

miniature 5Here we can see how tiny the sheep are. I had to use tweezers to get them there.

There are some astounding artists who spend their time doing this kind of thing. These were my first attempts and I am hooked. Have a look at the art of Thomas Doyle, for instance. Disconcerting, amazing.

Ceiling paintings

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Your ceilings are an opportunity for decoration. There is a lot of space up there, unfettered by windows and doors. Since it is hard to paint upside down, you can do it the easy way and paint on boards which you glue and screw when they are finished. Fit lights as normal if you like, just drill a hole and thread the wire through.

Here I am, painting a ceiling for the Pip. It will be of Ferdinand von Mueller bringing conifers to the Botanic Gardens, an event which happened in the 1800s. I like storytelling through images. Look at the little wombat on my left. She is a tiny story on her own.

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It was just having a little look at what was happening… I painted these on thin MDF (about the only tine I will use MDF). I have tried canvas in the past, and kind of wallpapered it up. Not so good, problems with bubbles and unevenness, since you can’t stretch it. You could draw on paper and glue it up too I suppose, anything goes. I put a couple of coats of gesso on first, then I paint with artist’s oils.

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painting20This is what my scetches look like. Very loose, more like ideas really. The rest happens on the painting itself. It I was to do a detailed sketch I would already be sick of it before painting it, and the element of surprise which I need will be gone, depriving me of pleasure. This is pretty much how I do most things, a loose idea in my head and then I work it through as I am doing it.

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Starting a different one. The long bits on the left are to extend my cornices, making them more impressive. No, I don’t stencil. I find it just as quick to paint straight on, and give me the bonus of a general unevenness which is something I always strive for. I have looked very hard at Albert Pictor for my borders and general style. He was a medieval church painter and pearl embroiderer in Sweden, and he did borders JUST like these. Being a church painter, he also filled all the wall space with stories.

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Starting a fill of greeny-yellowy tendrils, with leaves and exotic blooms. Yes, I have changed clothes, twice now. It takes a little while to do a ceiling like this, I usually keep several things on the go as you have to wait for oilpaint to dry or you put your hand in it.

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I have roughly scetched out the tendrils in pencil. I use a coloured art pencil as a lead one will dissolve and smudge into the oilpaint, leaving it dirty looking.

painting9The nuances and colour shifts in the paint are very simple to achieve. Simply squeeze out a little of three colours or so, along with a little medium (dilutes the paint), Put some on your brush without mixing with any great intention, go back for more, brush it out, repeat. Every time you go back for more the paint gives you a little different look for those strokes as you brush them out. Oil blends easily.

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The ground looks far more yellow in the photo than in real life. The men are two gold panners having a conversation. What about? Gold, of course. I attached the tendrils to the ground next to the miners, to grow out from them and take flight in their fancy gold dreams

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Here is another one, again with the same borders. Though I vary the insides, I feel it gives greater cohesion to maintain a similarity of theme. I have changed clothes again, and appear to have lost my hat. What’s the inside of this one? Who knows! I do round ones too, for more images head to the permanent page of ”the art” in the menu.

You need help putting them up if there is wiring to pull through. I can do them by myself unless they are very big and if there is no wiring, but usually there is a central ceiling light to navigate around.

Use liquid nails or similar building adhesive, have a long stick handy with a cloth at the top end to jam the painting to the floor with and work fast.

Map coffee table

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I like the current coffee table in the living room, but being round, is not the best shape for the space. Also, I find I am scrabbling around with a tiny paper map every time I check in guests, to show them where things are. The solution is to get a longer table and a map of the area in one go! Here is how I made mine. The only material which isn’t recycled is the trims around the table edges. The top is what I cut out of the kitchen counter for the sink, and all the wood is the old lean-to floor (which was badly rotted and needed replacing, but I have cut off all the bad bits). Here is a piece of the wood, before trimming.coffeetable9First I trimmed, painted and put three coats of varnish the table top, then I cut and sanded all the wood. I will have a crossed over leg, a little like a picnic bench, and I need to make a join to make the legs sit flush. I set the circular saw to half depth and ran it over the wood several times. A handsaw works too. To work out good sizes and heights for any furniture I make, I use the IKEA catalogue. It tells you exactly the dimensions and proportions of anything you can think of. A perfect design accompaniment. Also can answer visual questions like ”how do you support a chair leg?” I wouldn’t be without it.

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Chisel out the joins. You can make it easy for yourself and simply use two bolts and overlap the legs instead but I think this looks better, less ”picnicky”. When you have checked that the two halves fit into each other, use some woodglue and nails or screws to get it together. I am using clouts, which is a nail with large flat head for the visual effect. There is no need at all to use five, as I have done, but it forms a pattern. My nails reach almost all the way through both layers. Check that you don’t use too long nails (or too short…).

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Now I need to attach the top and bottom wood to the crosses. Because I am using hardwood, I have to predrill everything. I also have to make sure the screws will countersink. If you are doing that, use a large drillbit to make a short hole and check by holding the screw in the wrong way. If the head fits, you are ready to screw it in.

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Attach top and bottom.

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Time for the trim on the table top. Because I am using a composite material for the benchtops, nails won’t take to it very well. I am using a construction adhesive, the nails will only hold it temporarily. This brings me to a great trick I have. It is magic. Usually, when you use a tube of building glue or any other tube product, you will lose some or the whole tube between uses if you don’t use it all up very quickly. I have a remedy! Keep the tube you just finished, unscrew the nozzle and jam the next tube straight in it. You will find it acts as a perfect lid, matching product with product airlessly. It will still go off but much much slower.

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Screw the crosses to the table top.

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I also added two bracing planks, cut at 45 degrees. This makes the structure free from wobbles.

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All done!

A miniature landscape

In the bathroom is a three door metal locker I picked up at a garage sale and cleaned up.  The bottom shelf I intend to keep as shelf, but the top two will be installations of some kind. I am making a landscape with water, rocks and snowladen pine trees in the first one. When I am done, I will cover the front with plexiglass.  Here are some of the trees:

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They are made with a skewer, some teased out felt, some scouring pads, a little steel wool, black spraypaint and green and black railway modelling flocking (comes in small bags, great stuff) which gets attached with sprayglue. They look convincing enough for the purpose. There is NOT a railway model nerd inside me at all… I just like making things. I have built up the landscape with papier mache, some gunky filler, some paint. Right now I am experimenting with the water. Will clear gloss acrylic medium look like water trickling over rock when it dries? I will find out today, as I squirted some on a couple of days ago and it was white, plus it dissolved some of the underpaint as it went on, making it look cerulean blue which is weird as the underpainting is mainly grey. Could be a disaster, will see when I look at it.